Shifting

Any time your left-hand changes position. Working out the connection both physically and mentally and well as our cello geography helps to make shifts consistent and confident.

Popper Cello Étude No. 1

Teaching Notes for Popper Cello Étude No. 1 The first Popper Étude brings a significant number of challenges. Primarily a study for the bow staccato, the challenge is to always have clarity of sound and a very precise left hand and right hand coordination. Practicing this with the bow only on open strings first is […]

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Popper Cello Étude No. 4

Teaching Notes for Popper Cello Étude No. 4 We were thrilled to have the incredible Tim Gill with us for exploration of Popper 4 – “a beast of a study”. We explore the unique challenges of this one, thumb position, key signature, bow legato with string crossings and lots more. Hope you will find this

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Popper Cello Étude No. 5

Teaching Notes for Popper Cello Étude No. 5 Popper 5 is a really fun study, marked “scherzando” which is Italian for “play in a playful manner”. This includes challenges for thumb position. We hope that we’ve helped to make this scherzando fun for you while exploring the ever-present and very important dotted-rhythm! (Beethoven 7 anyone?)

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Popper Cello Étude No. 9

Teaching Notes for Popper Cello Étude No. 9 Popper 9 is a beautiful but difficult study that explores double stops, particularly in thumb position. It is especially challenging because this study focuses our attention on making these difficult passages lyrically beautiful and singing. It’s one thing to master a certain aspect of technique in the

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