Any time your left-hand changes position. Working out the connection both physically and mentally and well as our cello geography helps to make shifts consistent and confident.
Teaching Notes for Popper Cello Étude No. 11 We laughed a lot in this super fun Popper session with the wonderful Dr. Erin Ellis of West Virginia University. This study is one of the first that Erin assigns to students, but don’t be fooled! There’s PLENTY to work on in this study, including string crossings, […]
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Teaching Notes for Popper Cello Étude No. 12 This is quite a tricky study that really works on the geography of the cello especially in thumb position. It’s a real workout for anyone’s cello playing chops, and features a difficult octaves passage at the end of 4 pages of thumb position! However, we really enjoyed
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Teaching Notes for Popper Cello Étude No. 13 Popper 13! Full of octaves and double-stops galore, this one certainly kept us busy. Check out how we approach this epic study, and our top tips for not getting overwhelmed by the world of octaves. Bow balance percentages are important for the tune to sing in the
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Teaching Notes for Popper Cello Étude No. 14 We had a BLAST doing our Popper 14 session with the fantastic Christian Elliott (principal cellist Irish Chamber Orchestra, member of the Phoenix Piano Trio and Zehetmair Quartet). Popper 14 is all about up-bow and down-bow staccato, a very specific technical stroke that is tricky for nearly
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Teaching Notes for Popper Cello Étude No. 15 This is a great study with a wide variety of techniques. Not especially “thumb-y” but definitely focuses on some double-stops and tricky aspects of thumb position. We feel this is a great study to take a look at if you are interested in a career in orchestral
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Teaching Notes for Popper Cello Étude No. 16 We enjoyed a bit of a change of pace with Popper 16. Marked “Capriccioso”, this study deals largely with issues of articulation, string crossings, playing triplets cleanly and in an organized fashion… and of course, making this work seem fun, effortless, carefree and full of delightful character.
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Teaching Notes for Popper Cello Étude No. 17 We enjoyed exploring this shorter study, Popper 17, which focuses on legato in double stops. Practising this study very slowly and focusing on the connections between the double stops is very important so that they work well at the final speed. An especially interesting technical aspect of
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Teaching Notes for Popper Cello Étude No. 18 We were delighted to work on Popper 18 with the fabulous Madeleine Kabat. We had so much fun with Madeleine, a self-proclaimed Popper nerd (she’s in good company). This is a tricky and long study focusing on thumb position technique, and lightness of stroke. It also includes
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Teaching Notes for Popper Cello Étude No. 19 The Lohengrin étude takes a line from the famous Wagner opera and basically expands on the techniques required in the opera. It’s similar (but more difficult!) to Popper 1 in that we have triplet staccato notes throughout. It is important here to have a real connection with
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Teaching Notes for Popper Cello Étude No. 20 This study is so satisfying to perform! It involves so many techniques all in the one place but sounds really beautiful. Legato shifting, legato string crossing without interrupting the line. Legato octaves and broken ones. The list goes on!
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